Jimmy Buffett Tonight Show'da Johnny Carson Önünde 'Margaritaville'ı Bozdu

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Jimmy Buffett Tonight Show'da Johnny Carson Önünde 'Margaritaville'ı Bozdu

İçindekiler

  • Giriş
  • Jimmy Buffett ve The Tonight Show
  • "Margaritaville" ve Jimmy Buffett'ın başarısı
  • Jimmy Buffett'ın "Carson" gösterisine çıkması
  • Jimmy Buffett'ın "Carson" ile dostluğu
  • Jimmy Buffett'ın "Tonight Show" ile olan ilişkisi
  • Covid-19 Pandemisi ve Jimmy Buffett'ın etkilenmesi
  • Radio Margaritaville ve Margaritaville TV
  • Yeniden Sahneye Dönüş
  • Sonuç

Jimmy Buffett ve The Tonight Show

🎸 Jimmy Buffett, we love you!

Jimmy Fallon ile Jimmy Buffett The Tonight Show'a hoş geldiniz. Jimmy, içeri gelerek bize katıldığınız için teşekkür ederim.

🎸 Jimmy Fallon ve Jimmy Buffett

Doğru, evet. Jimmy ve Jimmy burada. Daha önce programda "Margaritaville" şarkısını söylediğin için teşekkür ederim.

🎸 Florence Welch Hakkında Konuşalım

Florence Welch hakkında konuşalım mı? "Margaritaville"i söylemek için. Lütfen, lütfen. Her şeyi var, değil mi? O muhteşem bir sesi var.

🎸 Angelik Çok Benzer

  • Biliyorsun, o tamamen melek gibiydi.
  • Evet, onu turneye çıkar.

🎸 İlk Kez "The Tonight Show"da "Margaritaville" Şarkısını Söyleme

  • Sahne arkasında dediğin gibi, "Bu skeci yapma için teşekkür ederim," dedim. "Evet, o zaman, Jimmy Carson'la birlikte," diye devam ettin. "Evet, 41 yıl önce."
  • 41 yıl mı?
  • Evet, onun bir fotoğrafı var.
  • Ah, Tanrım. Orada seninle Johnny'nin bir fotoğrafı var.
  • Oh, o bıyık. Şaşkınlığa düşmesine şaşırmıyorum.
  • O bıyığa bak. Ayva çekirdeğini doldurduğunu düşünüyorum.
  • O look çok yakışıklı bir ara.
  • Gel hadi, dostum. İmkansız, küçük porr see bıyık.
  • Hayır, hayır, hiçbir şekilde.
  • 41 yıl önce. Bu şarkı zamanın testine dayandı.
  • Do you remember,going on "Carson"?
  • Oh, yes. Yes.,-What was it -
  • It was a transitional time,between, like -
  • Most of the acts before,,there were Vegas acts
  • And people Johnny knew or liked.
  • And I guess the network probably,was pushing
  • Rock and roll in there.
  • So I studied it for like two weeks like it was a course,,'cause I wanted
  • To know every move,,and I wanted to know who was
  • Good, who could talk, and who -
  • Because he was a straight man.
  • You know that.

🎸 İnsanlar Neden Durmanızda Hoşlanmaz

  • Of course, yeah, exactly.
  • Johnny would set you up, and...,-And so
  • They had Jimi Hendrix on, and Jimi Hendrix had bad trouble
  • With whatever the sound was, and he stopped
  • In the middle of the song.
  • And then started again.
  • So it was like
  • A transitional point.
  • When I got on, they were not very
  • Kind of friendly to me.
  • They said, "Listen, the one thing you can't do,
  • Is stop because Johnny doesn't like it when you stop."
  • And so I'd studied, I said,
  • "Well, I'm gonna do,'Margaritaville,'"
  • And then he said, you know,
  • "You'll never go to the desk.
  • Maybe he does it sometimes.
  • But in case he waves you,
  • Then you walk over.
  • But it's not gonna happen."
  • "Anyway, thanks for being
  • Here," yeah, yeah.
  • Yeah, "Get out of here."
  • Yeah, "Get out of here."
  • Good luck." Yeah.
  • So I said, "Okay."
  • I was just happy to be on
  • "The Tonight Show."
  • I mean, come on.
  • I'd studied it.
  • So what I forgot about was,
  • The good thing was, there were Parrot Heads
  • In the audience.
  • Aha.
  • Got any out here now?
  • Yeah!
  • Oh, thank God, they're still here!
  • Of course, they're everywhere.
  • But they started yelling.
  • And Johnny kind of caught on,to the fact that there was
  • A crowd there.
  • And so, me, I didn't know
  • That much about television,
  • So I'm playing to the audience,and never look into the camera.
  • That's the first one.
  • So -- But when we started the song, we were off tempo,
  • Because the crowd was yelling so much.
  • So I basically up
  • "Margaritaville",on the "Johnny Carson Show."

🎸 Jimmy Buffett ve "The Tonight Show" İlişkisi

  • Oh, my gosh!
  • But did you -- did you stop?
  • No.
  • That's exactly right!,That's the lesson learned --
  • Never stop.
  • No, as the band knows, there's an old credo is,,"When you get lost,
  • Meet me on one," right?
  • Yeah.
  • So we got on one, we did it, and then I up -
  • I'm going, "This is never gonna happen."
  • I looked, and he was going --
  • He waved you over.
  • And I went over, and I was lucky enough to do that show.
  • How many times?
  • I think 15 or 16 times.
  • Then he actually invited me on the last week.
  • What a great guy.
  • And just a pro.
  • Became friends with him.
  • Yeah, but I'm --
  • That's so weird.
  • I'm getting goose bumps.
  • 41 years later, I'm still on "The Tonight Show."
  • Yeah, but come on.
  • Now you get an intro with the "one and only."
  • Now you're the one and only Jimmy Buffett.
  • You know, I love you so much because you're just a performer,
  • And you're an artist, and you need the audience.
  • Yeah.
  • And when the pandemic hit,
  • I really thought of you --
  • You're one of the first people, I thought of,
  • Because I go, "He must be going insane."
  • 'Cause you love to perform.
  • You don't stop.
  • Absolutely.
  • Above anything,
  • That I've been lucky enough to do,
  • Performing is what I love to do.
  • But I also, as a sailor,
  • I have been on, some rough voyages,
  • And you just have to keep going that way.
  • And so I just kind of --
  • You know, I had to take that, kind of sailor mentality
  • To steer through the bad currents that were going on.
  • So what we were lucky enough to do, because we had already had,
  • Radio Margaritaville, we had Margaritaville TV,
  • And my daughter, who was doing filmmaking at the time,
  • Got me saying, "Well, you got to just, play to people,
  • On both of those things."
  • So we stayed in touch with our audience,
  • On Radio Margaritaville, Margaritaville TV.
  • People that were still working and first responders,
  • And people in hospitals, and people got on.
  • At least we were staying in touch, but we weren't physically in touch.
  • So physically in touch came --
  • The first show was 10 tables, four people to a table,
  • At a place called Belly Up, down in Southern California.
  • Now you really made it.
  • I said, "Am I back to the beginning?",
  • "Belly Up -- that's a great name.",
  • Was I time traveling in the other direction?
  • 40 people, and you go, "Wow."
  • And so what it was -- And we went to rehearsal before that,
  • So three of us were in California, and two of us were in New York,
  • And they Zoomed in.
  • And the three of us, in California were in my piano
  • Player Mike Utley's apartment, and we started to play,
  • And we broke down crying, it was that emotional.
  • We hadn't seen each other -- because that's the other family.
  • Exactly.
  • And so at least we did it then, because when we got in front
  • Of the 40 people, they started crying immediately.
  • Yeah! "Because we missed it."
  • They missed it so much.
  • So we went from 40 people initially and tried to,
  • Work our way up safely, and then last --,
  • Sunday night, we played to 60,000 people in New Orleans.
  • That's what I'm talking about. Come on. We're coming back.
  • Thank you.
  • We're coming back. New Orleans.
  • In New Orleans, yeah.
  • Now, that's a place right there, New Orleans.
  • When you play there, I mean, if you crush there, you've made it.
  • Yeah.
  • Because that's the good crowd.
  • That's a good spirit right there.
  • I started out on Bourbon Street as a folk singer.
  • You did?
  • Yes.
  • Wow.
  • What was that?
  • Well, I was working, and --
  • There was a lot more music, on Bourbon Street then
  • Than there was the latest attractions.
  • And so all the musicians that I really loved,
  • Jazz and other people, were there.
  • And I worked in a little place called The Bayou Room,
  • For kind of a lower-level Mafia pair of brothers.
  • And, uh --
  • And so I was just so happy to be there,
  • And I made $150 a week and half price on drinks.
  • And the first week, I owed them money.
  • That's legendary. Come on, that is legendary.
  • I got into it. Listen, as an ex-Catholic, altar boy, I went hard.
  • Yeah, right, yeah, yeah.
  • But I did start there. And that was really, my musical roots
  • Came in New Orleans. And I've stayed connected
  • To that, for as long as I've been here.

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